Training

Dive Hacks: Tips for Diving with Sharks

People think we’re crazy. When the subject of diving with sharks — and the pure, unfettered joy of it — creeps into conversation with the uninitiated, looks of terror, disgust or disbelief typically follow. Despite your most detailed and rational explanation, it’s often impossible to convince the naive, media-hype believers that it’s positively awesome to share the water with these exquisite creatures. The simple fact is those people don’t know what they’re missing.

Shark dives are some of the most coveted experiences in the underwater world. And dive destinations, operators and sites around the world that offer consistent close encounters are among the scuba tribe’s most popular. From Florida to North Carolina, Rhode Island, the Bahamas, Isla Mujeres, South Africa, Fiji, Cocos Island, Fakarava, Isla Guadalupe, the Galapagos and beyond, if there are heaps of sharks in the water, you’ll find divers doing their best to get close. But what are the best practices for getting close to these often skittish and bashful animals?

To discover the secrets of a true shark whisperer, I asked UNEXSO’s Cristina Zenato (unexso.com), a cave explorer, master instructor and educator in Grand Bahama who has been hand feeding and hypnotizing sharks (through tonic immobility) for more than 20 years.

“My babies — the Caribbean reef sharks — are always on the top of my list,” says the Women Divers Hall of Famer of her favorite species. “But I am fascinated by many different species, including the goblin shark and the sevengill, and I have a special place in my heart for the blue shark.”

Here are five things she says to consider before your next encounter.

LEVERAGE LOCAL KNOWLEDGE

Before any dive that involves large numbers or large species of sharks — whether it’s fed, baited or otherwise — Zenato recommends relying on the instructions of the local dive pros rather than basing your plan on what you think you know. “What is an acceptable procedure for one species of shark might be totally inappropriate with another,” she explains. “It’s important to rely on the understanding and knowledge of the professionals who work with the animals on a regular basis.”

BE SELECTIVE WITH OPERATORS

Many of the world’s best shark dives are orchestrated by commercial operators. But before committing your safety and dive dollars, it pays to ask the right questions. “In general I would ask how long they’ve been established and do they have a good safety record,” says Zenato. “Do they have a standard description of what they’re going to do or their rules? And how do they answer your questions and address your concerns?”

DRESS FOR SUCCESS

Most shark-dive operators have specific rules for equipment. Most require full wetsuits and sometimes even black gloves and hoods for pro- tection. According to Zenato: “This is not the place to test a new wetsuit, camera, BC or other equipment. Dive with gear you are comfortable and familiar with so you can enjoy the time with the animals and not worry about anything else.” And about what you’ve heard about sharks being attracted to colors, especially yellow or pink? “They are attracted by contrast more than colors,” she says. “If you’re in a full yellow wetsuit, they’re not going to be attracted to that. But if you’re wearing a black wetsuit with- out black gloves, your white hands will have enough contrast to attract inquisitive attention.”

PRACTICE GLOBAL AWARENESS

Because sharks are such dynamic swimmers, diving with them is a 3-D experience. Strong situational awareness is essential to ensure your safety and enjoyment. “You have to be aware of everything around you
— the sharks, the boat, the current, the other divers, where you’re drifting,” Zenato says. “Pay close attention to instructions, and be ready when it’s time to get out of the water. Furthermore, if you’re a photographer, take your eye away from the viewfinder every once in a while and just look at the whole scene.”

BE AWARE OF BODY LANGUAGE

If you’re lucky (or savvy) enough to encounter sharks in an open-water environment, be mindful of physical cues that can translate their mood or intentions. “There’s a huge difference between an animal that has never been exposed to divers and one that is used to baited dives,” Zenato explains. “A wild animal that is not used to this kind of repetitive in- teraction will have a more natural display. Quick movements such as sudden changes of direction, rapid dropping of the pectoral fins or any other fast action indicates an uncomfortable animal. Also, when the inquisitive nature of some sharks — for example, blue sharks and oceanic whitetips — intrudes on your personal space, it might be time to get out of the water.”

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Introducing the PADI Pros’ Site Lite

A new feature is preparing to launch that will make the PADI Pros’ Site more user-friendly and accessible when accessing the site from a mobile device – the PADI Pros’ Site Lite! The PADI Pros’ Site lite is a mobile-responsive … Continue reading

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Training Insights… EFR: Why teach Emergency First Response (EFR) Courses to Rescue Divers?

Emergency First Response (EFR) courses offer an outstanding set of course materials and the same well-researched and respected educational system as PADI courses. Both of these factors make learning CPR and First Aid simple for your divers and also make … Continue reading

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Training Insights… Rescue Diver Part 7: What is a Rescue Diver?

By the end of the PADI Rescue Diver course your students will have mastered all the skills and knowledge in the course, but they will not be perfect. Divers should understand that following the guidelines and being willing to try … Continue reading

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Video: Manta Flight

Berkley White, owner of Backscatter, shares his meditation on mantas and top shooting techniques.

Q: Where did you shoot your short film Manta Flight?

This sequence was shot in the Maldives a few years ago. I’ve been running small group expeditions to the Maldives over the last five years to photograph hundreds of mantas that gather in the atolls every fall. I made this edit to open the Monterey Underwater Film Festival. I wanted to get people into the zen of underwater so I focused on the slower paced and graceful maneuvers mantas perform around the shallow cleaning stations. Swimming along side these animals is a magical experience. It’s simply amazing how they can glide with such little effort.

Q: What are your secrets for shooting such steady video?

I almost always have lights mounted to my system. I don’t always turn them on, but I find the extra mass slows down camera movement and gives the camera a more solid feel. I helped design the XIT404 Tripod Plate and keep it mounted to the bottom of my housing. When shooting subjects like mantas, I only mount one tripod leg to the plate. I keep this leg extended on the left side of my housing and it allows me to maintain a wide grip with my hands. If your hands are wider than your shoulders you’ll naturally maintain more stable and fluid camera movements. I also use relatively short full foot fins and use a flutter style kick. Large freediving type fins require a long kick stroke and I find this can add a slight left to right tilt of the camera when swimming fast.

Q: What camera and lenses did you use?

This footage was shot on a Canon 1Dx with a Sigma 15mm fisheye lens in a Nauticam Housing. I’ve since upgraded to the Canon 1Dc camera as it offers 4K video recording. I’m a big fan of Canon DSLR cameras for video as they offer excellent white balance underwater. Both of these larger camera bodies allow you to store five different manual white balance settings and I find this invaluable when the action heats up. You can shoot excellent 1080p video with the Canon 5D mkIII, but it does not feature multiple white balance options.

Q: You mentioned lights. Did you use lights for this footage?

I had lights on camera when shooting this footage, but I only turned them on for the long intro sequence to light the glassy sweepers. The majority of the footage is shot with just a manual white balance. I didn’t color correct this sequence it’s just as it came out of the camera. My current wide angle lights are the Keldan Video 8M Lights. They feature a 9000 lumen output and a soft wide beam. 9000 lumens might sound ridiculously bright, but if you shoot much in shallow water you’ll find times when even 9000 lumens can’t out compete the sun. For macro I typically use Sola 2100 Spot / Flood Lights in spot mode. It’s a little tricky to aim a spot from behind the camera, but a spot light doesn’t light up a cluttered background and keeps focus on the subject.

Q: What underwater camera would you recommend to a new photographer on a budget?

You don’t have to spend $2K-$10K on a camera to get great footage and have fun in the process. Good technique is most of the battle. I recommend divers on a budget to read our Best Underwater Compact Cameras of 2015 Review. It helps break down the difference between GoPro cameras, compacts, and mirrorless options. I shoot both stills and video and prefer a camera that handles both modes well. GoPros are a good option for video on a budget, but are less functional when it comes to photos. Thus, I typically recommend people consider compact and mirrorless camera options for better performance and flexibility for both video and photo. Lower cost cameras have more limitations, but great shooting techniques will create amazing results with even the simplest of cameras.

ABOUT BERKLEY WHITE:

Berkley White

Berkley White, owner of Backscatter, shares his meditation on mantas and top shooting techniques.

Berkley White is the founder of Backscatter Underwater Video & Photo which has grown to be the largest underwater photographic equipment supplier is the USA. Since 1994, Backscatter helped develop a community of local cold water divers and has now spent years supporting a thriving tribe of international artists, film makers, and first time shooters from it’s locations in Monterey, California and Derry, New Hampshire in the USA. For more about Backscatter or articles on equipment and technique, please see
www.backscatter.com

Berkley’s images and technical articles are regularly published in international magazines and he regularly serves a photographic judge or technical editor on publications. He is also a major promoter for educational events designed for both industry and consumer users such as the Digital Shootout and the DEMA Imaging Center. To learn more about his intensive educational events, please see www.thedigitalshootout.com.

Berkley runs a limited schedule of exotic photo safaris each year. From the warm diverse waters of Indonesia to the cold adventure of Alaska, Berkley’s shared adventures are always scheduled to be at the best time with the best local knowledge for image makers. For a complete schedule of events, please see his travel company at www.underexposures.com.

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