Underwater Photography

The Magic of Cave Diving: Five Training Courses You Need to Take

These Five Courses Will Help You Discover a Deeper Self — Literally

Shining a light into the unknown — there’s nothing that feels more like exploration. But that’s not the only reason divers who enter caves become hooked. It’s a sport where record-breaking discoveries happen every year, and there’s no shortage of boundaries yet to be crossed. But underground glory isn’t the real reason to consider cave train- ing. Even if you never venture much farther than the sun shines, these courses will give you a degree of physical and mental confidence you never thought you could muster.

CAVERN DIVER

“I’ve had students who have recently finished open water training and have just 25 dives under their belt up to advanced trimix open water instructors,” says Johnny Richards of those who enroll in his cavern diver courses.

Dive Rite LX20 Dive Light

Zach Stovall

Gear Essentials: Cave Diving Light

“You’ll need a cave diving light, and you’ll get a lot out of it for other types of diving. Also, ditch the console computer and get a multigas wrist-model computer.” — Karl Shreeves

Contact: diverite.com

All must relearn buoyancy, given that the jump from open water to overhead environments can be jarring.

“Open water is very forgiving,” says Richards. “Vary 3 to 5 feet and it’s no big deal — but in a cave, that can put you on the floor or ceiling.” To help divers cement a new buoyancy foundation, focusing on fine-tuning trim and breathing, Richards instructs in north Florida’s cave systems. These caves better prepare students for one reason: They have flow. On entry, divers power against a current measured in millions of gallons per day. “Flow affects everything — trim, buoyancy, propulsion,” Richards says.

Richards’ favorite classroom is Devil’s Den in Williston, Florida, about 100 miles northwest of Orlando. This cave extends 35,000 feet and flows at 42 million gallons per day.

“Train in complex environments and you’ll easily go anywhere that’s not as challenging,” says Richards. “If you know what Devil’s feels like, you can get a sense of other places.”

Environments like Devil’s Den also help divers shed another nasty habit: the instinct to kick more than necessary.

On the return route, these caves present yet another challenge. “With flow behind you, you have to anticipate buoyancy-control changes before they’re needed,” says Richards. “As I approach the exit at Devil’s Ear, it’s imperative
I make buoyancy changes before that change in depth — otherwise, if I’m neutral, with flow behind me, I’ll have a sudden rapid ascent.”

But even this situation is one that students build up to, starting at Ginnie Springs, 80 miles west of Jacksonville, or an hour north of Devil’s Den. Ginnie, another high-flow cave, is even better suited to beginners thanks to its flow of 35 million gallons per day and a coarse-sand bottom.

“Generally speaking, high-flow cave means low silt potential,” says Richards.

For new cave divers, almost always guilty of kicking too much, this means their zealotry won’t result in a fog of silt and lost visibility for too long. But causing a silt-out is part of the process; divers gain an understanding of what it feels like to have successes and failures. Says Richards, “This isn’t a course where I expect divers to come in and know what they should be doing — it’s a time where a lot of mistakes can happen.”

Go Now: cavediving.com


INTRO TO CAVE DIVING

One of the first things aspiring cave divers must get used to is starting expeditions in the middle of nowhere — often a field or forgotten forest, reachable only by two-track dirt roads. To access Mermaid’s Lair, one of cave diving instructor Cristina Zenato’s favorite classrooms, start by heading to the eastern side of Grand Bahama.

ScubaPro MK25 EVO/G260 Scuba Diving Regulator

Gear Essentials: High-End Regulators

“At this level, you start using an H-valve with two independent regulators. You want robust life support that is dependable, with high performance. You should also look for an oxygen regulator, deco cylinder and backup computer.” — Karl Shreeves

Contact: scubapro.com

“Old Freetown Road is abandoned,” says Zenato. “It used to connect the two sides of the island, and now it’s just a very nice, scenic drive that adds to the adventurous feel.”

Mermaid’s Lair is worth the trek due to how well it suits the needs of beginners. For starters, Zenato rerigged the ropes running through the cave.

“I changed the line, so it’s continuous, with no navigational changes — you can’t take jumps or turns.” Neither of which is allowed in the intro course.

In other words, getting lost would be pretty hard. Nor is depth an issue: Mermaid’s Lair dips to roughly 70 feet, giving divers ample time to practice buoyancy and what Zenato considers the key skill to begin developing at this level: global awareness.

“When you’re cave diving, you can’t think about just one thing,” she says. “You have to be like a little computer, calculating all these things at once, like the line, the light, the cave — and your buddy.”

Part of global awareness is taking in the environment — and that can mean appreciating the scenery.

“In Mermaid’s Lair, the formations change from a rusty orange to a sheen of black to yellowish-white crystals — and then, all of a sudden, everything is covered in black crystals. You don’t expect it to be so different in such a short environment,” says Zenato.

It’s something she’s reminded of nearly every time she shares the cave with someone new. She can hear the “ooh” through the regulator. And afterward, reactions vary wildly.

“Some people talk nonstop, and some are silent, and I can tell their hearts are so full with what they just experienced,” says Zenato. “Either way, I know when they’re hooked.”

Go Now: unexso.com


FULL CAVE DIVER

For Alessandra Figari, graduating a full cave diver is like set- ting a tourist loose in a Venice glass shop. If divers meet her standards for the course, she knows they’re skilled enough to closely approach formations as delicate and unique as hand-blown curios.

Bare Sports X-Mission Drysuit

Zach Stovall

Gear Essentials: Drysuit

“As you go deeper into caves, your dives get longer and a drysuit becomes necessary, especially for the cooler waters found in north Florida cave diving. In warmer waters, such as in Mexico’s Yucatan cave systems, a full 7 mm wetsuit with a hood will usually suffice up to about three hours — beyond that, you might want to wear a drysuit even there.” — Karl Shreeves

Contact: baresports.com

Before she turns them free, she guides them through the blanker slates of Riviera Maya’s underground realm — the caves with fewest decorations. But even those are not without beauty. Chikin Ha is one of her top picks for training full cave divers. Divers first pass through two cenotes lit by thick bands of sunlight. From there, darkness.

“Then it’s two big blocks of rock, and you can’t help but have that feeling of being under the earth,” says Figari. “It’s like being in a Gothic cathedral with all these different pieces of art.”

Inside, trainees work toward following a line in no visibility, handling a lost-diver scenario and sharing air in an overhead environment.

“I make students share air from the deepest point in the cave,” says Figari. “It’s meant to help them work on stress levels.”

When the way in and out is the same, and something happens after 40 minutes in, you have to swim out 40 minutes.

“The only thing that determines whether or not you come out is how you handle yourself,” she says. “The full cave course teaches you how to handle emotion and control the mind in these situations.”

The basics of that control are the same as with any dive course. It comes down to breathing. “If we breathe incorrectly, we cannot control the mind, and that is when we get into big trouble,” she says.

Once they prove themselves, divers are handed the keys to rooms holding even more fascinations, places like the cave Nohoch. Inside, tight passageways are lined with white formations.

“Everything is so small that you feel you should freeze, that just your presence could compromise this environment,” she says. But worry not. “No, of course it won’t. Otherwise, I wouldn’t take anyone there.”

Go Now: cavetrainingmexico.com


DPV CAVE DIVER

Now you’re going places — or, at least, you will be after the diver propulsion vehicle cave course.

Hollis H-160 Diver Propulsion Vehicle

Courtesy Hollis

Gear Essentials: Diver Propulsion Vehicle

“Using a DPV to explore caves is a technical challenge that demands you to be entirely in the moment — you need to be self-disciplined and detailed, and show you can follow the rules and stay within your limits. You should also have lots of prior cave experience — otherwise, you can get yourself into trouble in a hurry.” —Karl Shreeves

Contact: hollis.com

The main motivation for divers to commit to the DPV course might appear to be the intense pleasure of zipping through extended cave systems — a roller-coaster ride past exponentially more formations and decorations than with fins alone.

But there’s a much more practical reason as well: DPVs buy you time.

“You get decent bottom time while keeping reasonable decompression times,” says cave diving instructor Johnny Richards.

This is an understatement. Instead of draining your gas supply on stretches you’ve seen hundreds of times, you zip past the familiar and start your dive with the new.

Exploration 101.

As for the course itself, says Richards, “It’s fairly arduous —lots and lots of skills and drills, such as dead-scooter swims and dead-scooter tows.”

There’s not much on-scooter time during the course, but afterward, it’s free rein. For Richards, use of a DPV opens up places like the Super Room inside Eagle’s Nest, a cave in the town of Weeki Wachee, roughly an hour north of Tampa.
“It’s a big monster of a room with a lot of features and fossils — mostly shells; this was all ocean floor at one time,” says Richards.

In the Little River Spring system, about 90 minutes west of Jacksonville, Richards likes to tar- get the Florida Room before continuing on by fin.

“There’s a point where you must drop the scooter,” says Richards. “The cave becomes like a roller coaster in places — then it becomes tight, with high amounts of silt. From there, you can swim 3,400 feet to the end of the line.”
He’s quick to point out that divers should never actively pursue that marker as a goal.

Says Richards, “It’s something that will naturally occur at some point given time and experience.”

Go Now: cavediving.com


STAGE DIVER

“Cave Diving is all about expanding your comfort zone, step by step,” says Patrick Widmann, an advanced cave diving instructor in the Dominican Republic. The full cave diver course allows finishers to explore a cave using one-third of their tanks; stage cave diver teaches students how to safely add a cylinder to explore even farther.

Hollis SMS 75X Sidemount BC

Zach Stovall

Gear Essentials: Stage Rigging and Sidemount BC

“When you start using stage cylinders, you’ll need more regulators with submersible pressure gauges, and rigging for each. At all levels, sidemount has become a popular option. There’s no reason to be a backmount cave diver if you know you want to dive sidemount — get certified as a PADI tec sidemount diver.” — Karl Shreeves

Contact: hollis.com

Skills taught include team protocols and how to stage and retrieve tanks blind, which simulates a silt-out caused by a tank dropped atop sediment.

This course also aims to strengthen confidence, especially with distance stress — “your mind telling you that you are a long way from home,” Widmann says. “Distance stress never leaves you, even after thousands
of dives. It just becomes a question of when it will set in.”

And it happens farther in after more training dives. For the stage cave diver course, Widmann teaches primarily in two caves. Cueva Taina and El Dudu. Cueva Taina, near the Santo Domingo airport, presents students with a halocline followed by rooms of white walls, stalactites and columns. El Dudu lies near the town of Cabrera, two hours east of Puerto Plata on the northern coast. Past its giant sinkhole opening, the cave’s route, 20 feet deep, winds past unusual water colors, walls stained with tannins and rooms filled with dark-dwelling critters such as bats, scorpions and tarantulas.

When students complete the course, Widmann takes them to Manantial El Toro, a cave outside Punta Cana that is the country’s longest, requiring stages to explore.

Distance stress can be heightened from the start thanks to the cave’s dramatic entry. It’s a 30-minute hike from the car park, then you descend 130 feet by foot. “The entrance is mind-blowing,” says Widmann. “It’s a ginormous dry cave with tree roots hanging from the roof.”

El Toro’s warren unspools to a variety of rooms and terrain, all serving as mental practice for future cave settings. With each new hurdle, divers are tasked with monitoring distance stress.

“There’s a tunnel filled with really rare bacteria that stain the water an opal green,” says Widmann. “It’s studied by NASA scientists.”

Like Alice in Wonderland, divers must be prepared to feel small in a large room, or huge in a small space.

“Going through a room a plane could fly through is much different from a tunnel the size of a computer screen,” says Widmann.

Either way, he reminds divers that it’s not so much about the conditions, but how you handle them.

“If I perceive something as dangerous, my body will react that way with increased breathing rate and risk of accident,” says Widmann. “Rather, we’re training ourselves to perceive our environment as safe so our bodies stay relaxed.”

Go Now: dr-ss.com


What It’s Like To Be A Cave Diver

Cave Diver Jill Heinerth

Courtesy Jill Heinerth

“A privilege,” says filmmaker, photographer and Scuba Diving contributor Jill Heinerth. You can read why caving is so addictive in the November/December “What It’s Like” column from this caver, who is a member of the Explorers Club and Women Divers Hall of Fame, recipient of the Wyland ICON Award for making a difference for our water planet and the Sir Christopher Ondaatje Medal for Exploration from the Royal Canadian Geographical Society, and Scuba Diving‘s Sea Hero of the Year in 2012.

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Black Magic: Night Diving with Manta Rays in Kona, Hawaii

Nothing in life is guaranteed. Mantas are (gorgeous) wild animals, and they dance to their own tune. But on the west coast of Hawaii Island, mantas have been showing up to the party with fairly predictable regularity at a dive site just north of Kona Kailua, near the airport.

Imagine this: The fiery sun sets on the horizon. Soon, a flotilla of day boats arrives in the twilight, with their loads of divers and snorkelers nervously gearing up on their decks. These operators send down their divemasters to place some bright lights on the ocean floor, to shine up toward the surface. They also shine down lights from the boats, setting the stage for what is not unlike a light show at a rock concert. The site itself is a rubbly amphitheater on the flats, just above a pretty dive site called Garden Eel Cove.

The numerous divers and snorkelers start splashing into the ocean as darkness descends. The divers drop down to perch on the bottom in about 35 feet of water, lining up behind the lights, while the snorkelers orbit above.

And then, if you are lucky, the mantas show up.

They arrive in squadrons. Sometimes just a handful of animals come to thrill, sometimes a bounty. We hit the jackpot on our manta dive in September 2015, with at least 18 gorgeous, otherworldly rays being counted.

The Kona Aggressor has a great routine for this very special night dive. The boat anchors on its usual mooring for the site, and its passengers have dinner and then leisurely get ready for the dive. Meanwhile, the masses from the many day boats are already enjoying their manta experience. As those divers and snorkelers begin to be wrangled back onto their boats, the Aggressor’s divers jump in off the dive deck, descend, and swim towards the glow of lights in the distance.

And what a scene it is. As I said above, it was not unlike a rock concert, only strangely silent — many beams of light traveling up and down, through the water, lighting up the virtual stage, and the clouds of plankton. Huge stealth bomber-like, black-and-white beasts soaring and zooming and doing tight barrel rolls in front of and over the audience, at times bumping into each other, and occasionally into the divers perched on the bottom. It is beautiful chaos.

It is hard to describe the absolute joy, and awe, of being in the water with these massive, graceful animals. I have been very fortunate and have seen mantas in several locations in my dive travels, besides this recent trip to Hawaii — in Australia, Indonesia, Palau and Thailand. They awe with their size, their sheer poetry of motion, their incredible agility (they can turn on a dime, and give a nickel in change), their strangely beautiful eyes, set far apart on the sides of their wide heads, their gaping mouths as they vacuum up the tiny zooplankton that are attracted to the lights, and their odd cephalic (chin) fins which they can roll up when cruising — or deploy when they are feeding to help to direct the plankton to their mouths. They are truly weird and wonderful critters.

Manta rays are filter feeders (so no big teeth!) and have no other defense mechanism (unlike their cousin the stingray with its treacherous tail), other than their large size — they can grow more than 20 feet in wing span! They feed by opening their cavernous mouths, taking in huge volumes of water and its tiny inhabitants, and filtering out the food through a large amount of spongy tissue in the back of their gullets, while the water passes over their gills.

They come to the site at Garden Eel Cove because of the lights. The nearby night-lit airport, and the added lights from boats and divers, attracts the zooplankton, which makes for fairly easy pickings for the mantas.

And so, unlike seeing mantas beautifully winging their way down a reef, or seeing mantas coming to a cleaning station on a reef to be de-loused (both are also great experiences), the manta night dive in Kona is pretty much a feeding frenzy. It is an exhilarating dive, and the 90 minutes or so that we had to enjoy the show passed so quickly. As we were the last divers in the water, and took our lights with us when we left, several of the mantas actually followed us back to the boat, and hung around off the swim grid for several hours, taking advantage of the lights shining off the stern of the boat to keep the food coming.

So, three final words about the Kona Manta Night Dive: Just Do It. Hawaii diving is lovely, if not hugely diverse. I will be writing more about the nice reef diving and endemic critters, and sharing pictures of both of these in an upcoming article. Kona’s easy accessibility from the west coast of North America makes it a good dive destination. The Manta Night Dive makes it a great one.

Judy G is a traveling underwater photographer. Check out her blog HERE and follow her on Facebook: Judy G Diver

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Imaging: Understanding Your Camera’s Histogram

If you’re not already shooting with the help of your camera’s histogram, it’s time to start. A histogram is a graph that shows the distribution of tonal values from black to white in your image, and it’s a very accurate indicator of overall exposure. If you’re not checking out the histogram as you shoot, your exposures are a guess at best.

ALL DATA ARE NOT COLLECTED EQUALLY

ETTR (exposing to the right) is a RAW-image-capture technique that increases the exposure of an image in order to maximize the amount of data collected by the camera’s sensor.

Because the digital image sensors collect 50 percent of all available data in the single brightest stop, underexposing your photo by even a small amount is tantamount to tossing a significant amount of information out the window. An underexposed shot often looks just dandy on the back of the camera, but in fact, the LCD preview is a terrible predictor of exposure. Use the histogram to analyze what kind of exposure you’re capturing with each shot.

For the sake of this example, let’s say that a camera has five stops of dynamic range (from darkest to brightest) and shoots a 12-bit RAW image, which is capable of recording a total of 4,096 tonal values. You’d think that each of the five stops should be able to record 850 tones — about a fifth of the total — but that’s not how it works. In reality, the brightest stop (farthest to the right on the histogram) collects a weighty 2,048 values, with each subsequent stop to the left (darker) recording half the amount of the previous one. In short, the right side of the histogram holds the data, and the left side holds the noise.

WHEN TO USE ETTR

This technique isn’t something you’ll necessarily use on every shot. It’s not easy to use the ETTR technique when the dynamic range of the camera is already pushed to its limits; for instance, when shooting sun balls or other ultra-high-contrast scenes. ETTR pays of most in moderate- and low- contrast shooting scenarios, where the ultimate goal is to bias your exposure brighter, with the histogram snugged up to the right, but not so far to the right that the highlights get “clipped” by running into the right edge.

DON’T OVERDO IT!

Pay close attention to the camera’s highlight-warning “blinkies.” When you see them start to flash, it’s time to back off. They’re a friendly reminder that you may be in danger of blowing out highlights. Specular highlights, which are reflections of light from shiny surfaces like water, fish scales and critter eyeballs, might not contain enough critical detail to worry about in small amounts, but completely obliterated highlights are not recoverable and spell doom for your picture. A little clipping is OK; a lot is bad.

BASIC POST WORK FLOW FOR ETTR RAW CAPTURES

All ETTR images need work in post. Right out of the camera, ETTR captures often appear washed out or overexposed. All those yummy tones in the brightest part of the image need to be mashed back toward the left of the histogram in order to restore richness, saturation and contrast to the shot.

Remember, the Highlights and Shadows sliders are detail sliders meant to restore detail in bright or dark areas without affecting clipping. The Whites and Blacks sliders establish the actual white and black points in your photo.

  1. In the Basic panel, slide the Highlights slider all the way left.

  2. Slide Exposure toward the left to lower the overall brightness level.

  3. Add Contrast if necessary.

  4. While holding down OPT (Mac) or ALT (PC), click on the handle of the Whites slider. You’ll see a black- clipping preview screen. Slide the handle toward the right until you begin to see small areas of color. Slide back toward the left until just the tiniest pinpoint of light pixels remains. Those light pixels are the white point in your image.

  5. Slide the Shadows slider to the left until the shadow details are as you desire.

  6. While holding down OPT (Mac) or ALT (PC), click on the handle of the Blacks slider. You’ll see a white- clipping preview screen. Slide the handle toward the left until you begin to see small areas of color, then slide back toward the right until just a smidge of dark remains. Those dark pixels represent the black point in your image.

  7. Re-adjust any of the Basic panel sliders as needed.

  8. Move on to the HSL panel (Hue, Saturation and Luminance) and local tools.

Click here for more photo tips, or head to scubadiving.com/photos

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LOOK: A Thorny Seahorse with the Fractalius Effect

Photographer Dragos Dumitrescu captures the shy mood of a thorny seahorse in the Philippines

Dragos Dumitrescu

Photographer Dragos Dumitrescu captures the shy mood of a thorny seahorse in the Philippines with a special effect.

PHOTOGRAPHER
Dragos Dumitrescu

LOCATION
Dauin, Philippines

ABOUT THE SHOT
Seahorses — everybody loves them! I always try to capture the shy mood of the creature, but I also try to avoid the strobe shining in its eyes; seahorses are extremely sensitive to light. Using a Canon G12 set at f/8, 1/200 sec and ISO 100, and a single Inon S-2000 strobe, I finally got the shot I wanted a few months ago in Dauin, Philippines. Because this is a thorny seahorse, my main goal was to get the yellow edge a bit pointy to enhance the charm of this critter. I started by applying contrast to the original photo before adding a plug-in filter called Fractalius. Charming shape of the shy one, isn’t it?

GO NOW
Atmosphere Resort; atmosphereresorts.com

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